That’s why he launched All My Best Friends Are Ghosts in 2019—to cut through the bloat, ditch the rigid agency playbook, and build something that puts creativity first. No endless red tape. No half-measures. Just smart, culture-driven work that makes an impact, whether for global brands or independent artists.
Why All My Best Friends Are Ghosts? Because we believe in the weird and the ethereal—the kind of work that stops you in your tracks and lingers long after.
Today, we’re a creative agency and production house specializing in music, entertainment, and culture—built for the way things actually get done. A core team of relentless idea-makers, calling in top strategists, designers, and innovators when we need them.
We’ve contributed to Webby, iHeartRadio, and GRAMMY-winning projects, with work featured in Pitchfork, Stereogum, Dazed, NPR, and beyond. We work virtually—except when we don’t. We believe in making things happen, not just talking about it.
Cameron spent 15 years in the creative industry, doing just about everything—producing at NPR, running his own artist management company, and building an event series from scratch to 10,000+ audiences. His work has been covered in LA Times and LA Weekly, won a Webby, and landed a GRAMMY nomination. He’s seen every side of the industry, and honestly? Most of it needed a shake-up.
And at the end of the day, we’re just a bunch of nerds who get hyped about cool shit and love making it shine.
Brand strategy. Creative. Production. Communications strategy. If it sparks something real—and a little surreal—we’re all in.
